Dbx 162SL Manuale Utente

User ManualCompressor/Limiter®162SL

9The 162SL is connected for operation using the rear panel XLR or 1/4” connectors. Note that the tworear panel input sections have a push-switch which

10OverEasy®Switch: This switch activates/deactivates the OverEasy®characteristics of the 162SL. Whenthe switch is IN, the 162SL is in OVEREASYmode. Ov

increase in output level, regardless of how far the set threshold level is exceeded. This occurs inboth OverEasy® and hard knee operation. Note that w

PeakStopPlus®Switch and LED: The dynamics of the dbx 162SL are set to handle fast transientsthrough PeakStop®limiting and the newer PeakStopPlus. Pea

Bypass Switch and LED: This switch activates a hard-wire relay bypass system, which allows theaudio signal to pass through the compressor directly fro

Note that the gain reduction scale is linear in dB as opposed to the standard VU markings on theupper scale on which input and output levels are monit

15Audio Input and Output Connectors: Each audio input and output channel of the 162SL offers both1/4” and XLR connectors. The connectors are default

In a typical hard-knee compressor, the threshold control sets a reference level above which input sig-nals will be attenuated in the manner defined by

WARNING FOR YOUR PROTECTIONREAD THE FOLLOWING:KEEP THESE INSTRUCTIONSHEED ALL WARNINGSFOLLOW ALL INSTRUCTIONSDO NOT USE THIS APPARATUS NEAR WATERCLEAN

Two channels of program material do not necessarily constitute a stereo program. A stereo program isone where the two channels are recorded and/or mix

trols. This faster attack time allows the transients to by captured and compressed without overshoot andallows a quick release from compression witho

While PeakStopPlus™ is typically used as a protective function, creative effects can be achieved by inten-tionally driving the signal into heavy PeakS

tions. Vocalists and musicians don't get the sense of being held back, but high average levels can bemaintained without speaker damage due to exc

not cause compression, and the program is not subject to the phase shift normally caused by programequalization.During the recording of cymbals and to

Anticipated CompressionBy feeding the program directly to the 162SL's sidechain return and sending the audio signal through adelay line before th

If you require technical support, contact dbx Customer Service. Be prepared to accurately describe theproblem. Know the serial number of your unit - t

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INPUTSConnectors: Female XLR and 1/4” TRS (Pin 2 and Tip hot)Type: Electronically balanced/unbalanced, RF filtered.Impedance: Balanced > 50 kΩ, un

U.K. MAINS PLUG WARNINGA molded mains plug that has been cut off from the cord is unsafe.Discard the mains plug at a suitable disposal facility. NEVE

FUNCTION SWITCHESSidechain: Routes external sidechain input signal to the detector.OverEasy®: Activates the OverEasy‚ compression function.Auto: Activ

®8760 South Sandy Pkwy.Sandy, Utah 84070Phone: (801) 568-7660Fax: (801) 568-7662Questions or comments?E•mail us at: [email protected] visit our

Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3Why you need compres

Why You Need A CompressorA remarkable feature of the human ear is that it can detect an extremely wide range of amplitudechanges - from the slightest

The Difference Between Compressors and LimitersBy measuring the dynamic range of musical instruments in live recording situations, you will experience

The Compression and Limiting EffectsOn a compressor, there is a relationship between the input signal, and the threshold level, input, out-put, and ra

6Furthermore, it is interesting to note that by comparing the input and output waveforms for the com-pressed mode, the quietest sections of the input

7GAIN control. If the output gain is set too high as compared to the PeakStopPlus Level control, con-tinuous limiting can occur. While PeakStopPlus is